Right-click the workspace and choose Match Output Aspect from the shortcut menu.Īdjust the selection box to recompose your shot or remove the black bars from the masked video.
Right-click the file in the Project Media window and choose Properties from the shortcut menu.Ĭhoose the appropriate widescreen setting from the Pixel aspect ratio drop-down list.Ĭlick the Event Pan/Crop icon on the event to display the Event Pan/Crop dialog. If your camera’s 16:9 widescreen mode creates anamorphic video, this step is not required. If you have video that was shot using an anamorphic lens adapter, you’ll need to set its pixel aspect ratio: Right-click the Video Preview window and choose Simulate Device Aspect Ratio from the shortcut menu so your video is displayed in with its unsqueezed proportions.Īdd media to your project and edit it on the timeline as you would edit a standard project. Use Match Output Aspect in Event Pan/Crop dialog to use in widescreen project.Ĥ:3 frame with black bars added by camera to mask to 16:9.ġ6:9 anamorphic frame created using a 4:3 CCD.ġ6:9 anamorphic frame created by using hybrid CCD (extra pixels from the camera’s CCD are used).ġ6:9 anamorphic frame created with a 16:9 CCD or 4:3 camera with an anamorphic adapter and corrected pixel aspect ratio.Ĭhoose a widescreen template in the Project Properties dialog.įrom the File menu, choose Properties to display the Project Properties window.įrom the Template drop-down list, choose the appropriate NTSC or PAL widescreen template. If you shoot a scene in 4:3 mode and 16:9 mode without changing the zoom level or other settings, the following illustrations can help you determine how your camera creates 16:9 video: To determine how your camera creates 16:9 video, please refer to the manufacturer’s documentation.
After adding media to your project, you’ll need to open the Properties dialog for the media file and choose the appropriate widescreen setting from the Pixel aspect ratio drop-down list.
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The full vertical resolution of your camera is used, but the lens adapter effectively extends the horizontal resolution to create a widescreen frame. An anamorphic lens adapter shoots widescreen video without sacrificing resolution. Some cameras have a true 16:9 CCD and will create true widescreen video. When you set your project to use a widescreen project template, the video fills the widescreen frame with no cropping or panning. The camera marks the video as anamorphic widescreen media. Some cameras have more CCD elements than are required for DV and can create anamorphic video by using these pixels to create a wider field of view and masking the top and bottom of the frame. You get the widescreen look, but you lose 25% of your camera’s vertical resolution. The camera then marks the video as anamorphic widescreen media.
In 16:9 widescreen mode, some cameras mask the top and bottom of your frame to produce a 16:9 image and then stretch the cropped image to fit the 4:3 frame. You can crop the video to remove the letterboxing. The frame is simply a 4:3 frame with black bars at the top and bottom of the frame. Some cameras simply mask the top and bottom of your frame to produce a 16:9 image. You can use your camera’s 16:9 widescreen mode. Masking your camera’s LCD or field monitor with tape can help you keep the action in the 16:9 portion of the frame. You can also shoot regular 4:3 video and crop it after adding it to your project. You can simply shoot 4:3 video and crop it in a widescreen project. You have several options for creating widescreen video:
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